Instructions:
o An example: Perhaps in part 7 of your story, you have a special ring that the main character sees on the ground. You can draw a wide shot of the ring on the ground in square 7A and then a close- up of that same ring in drawing 7B – this is an example of an inset editing transition – from 7A to 7B.
o A second example: Perhaps one of your characters says, in drawing 3A, “What’s that?!” while pointing to the sky. In drawing 3B we see a meteor
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coming toward the city. That’s an example of a motivated cut, or a cutaway.
• For each pair of frames (A and B), clearly label which editing transition is taking place as A moves to B in your film. There will be 14 frames total with seven different transitions.
Requirements:
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